Wednesday, September 2, 2015

Getting the momentum going... hard! Hard, I tell you! Gah.

"What in the world is she yelling about?" you wonder.

I'm trying to start book three in the Raud Grima trilogy. I've done a bunch of brainstorming and I've written the first 1600 words, but today I had several hours to write and instead I used them to participate on a debate forum I enjoy.

But there were people disparaging trans* folk, man. I had to call them out!

Not that I was alone in doing so... and it is possible that the other posters had it covered...

The real issue is I have this large scale habit when it comes to writing. It's a seasonal thing. I write the most in November-December. Then it tapers off for like six weeks to two months. But then it picks back up in March-May. Then in the summer, when usually the most I do is editing, and my writing dies down again, and it doesn't really get going until the following November.

The pattern has been that way for years--since 2006, I think.

NaNoWriMo is a big factor. I gear up for it and in years where I'm not overwhelmed by other stuff I do the 50K words in November, always with a new WiP. Then I keep going for a while, usually stalling a bit around 75K words. I have a hiatus, and then drive myself crazy thinking, "Come on, Sophia, you're so close to being done!" Which is not entirely true, as most of my novels have anywhere from 15K to 30K more words to go after 75K. But compared to the work that led to the production of 75K words, it's still a lot less.

So anyway, my point is it's September. This is not, historically, a productive month for me. I'm trying to buck the old system but my lazy self is just like, "Noooo.... writing is work and work hurts my brain..."

The next time I will probably have some uninterrupted time for writing is Monday, so really, what needs to happen is for me to not go on that forum at all. No checking for updates, nothing. Just sit down at the computer and write.

Do you have seasons when you are more productive? How do certain habits help or hinder you?

Friday, August 21, 2015

Another shingle!

Yes, folks, I've done it. I've hung up my shingle as an editor and ebook formatter. You can read all about how it works by clicking on either of the appropriate tabs above.

I am just starting to poke around to see where to advertise my services. Maybe if I get a client or two I'll spring for GoogleAds. It's hard to want to pay any money out without bringing even a little in first, though. Plus at the moment we are legitimately broke, as in, hope-we-have-enough-money-to-pay-for-the-baby's-daycare-in-September broke. It's always like that at the end of the summer, because they pay us for July and August at the same time as they pay us for June, and then we have to wait until the end of September for our next checks. Every year we try very hard not to spend too much. Each year we get a little better about it. But we still come up short. What can I say, it's a pretty major factor in the reasoning behind the hanging up of various shingles!
This is not the actual shingle I hung. This is a shingle for W.H. Smith bookstore in Romsey, England.

Saturday, August 15, 2015

That Link I Promised for the Sold Book Cover.

If you were curious about that cover that I sold on, here's a link to an image they posted on Facebook. There are nine covers pictured; mine is the one in the lower right corner, with the white background and silhouettes.

Wednesday, August 12, 2015

I sold a cover!

I sold a cover on! Yay! I had posted two covers there, and sort of stopped thinking about them because I had too many other things to do to make new generic covers to submit to the site. And today, I got an email saying the cover sold! I'm not sure whether I can post it here, but as soon as they add it to the published covers page I'll update with a link to it.

Sunday, July 26, 2015


I wrote a review of The Girl on the Train on Goodreads. Then, out of curiosity, I scrolled through some of the other reviews there. I noticed a pattern--good reviews got a few comments, no big deal. Bad reviews got loads comments. Some over a hundred. Even short bad reviews got dozens. One reviewer went back and edited her review to include a disclaimer at the beginning of it to attempt to ward off all the flaming. So I edited my review, deleting everything and replacing it simply with "Not my cup of tea." I just don't need the headache. I've run into my share of belligerent book-fans when I've done things like talk about how Outlander ceased to be a romance for me after the punishment scene (there are book-fans of Outlander who have accused me of having had too easy a life to understand that book correctly--you know... people who have never met me and don't know anything about my life...). So instead, I'm going to post my original review here. Enjoy (and if you disagree with me, please feel free to comment, but if you are so incensed that you want to flame me, please be aware that I will delete your comment because this is my blog and I don't need that kind of static here).

I started off thinking this book was very well-written but too disturbing for me. I felt like I *was* Rachel (despite having far less personal experience with drinking and blackouts), and she lived in my head way too much for comfort. That's a sign of strong writing to me, even if I didn't enjoy it. I was hooked by the story, though, and I felt that her alcoholism worked well with the mystery--it's a strong choice, having her witness something important but be unable to remember it due to her alcoholic blackout.

The ending, however...

[MAJOR spoilers]

...was, to me, a total cop out.

What I respect most in a story is when the answers are there, but the author is masterful enough at showing them to you in such a way that you discount them until the end. Then you find out who did it (or whatever is appropriate to the denouement of a particular story), and you think, "HOLY CRAP. It was right in front of me the whole time." Some perfect examples in movie form: The Usual Suspects. The Sixth Sense. In book form, Harry Potter and the Sorcerer's Stone.

In The Girl on the Train, Hawkins uses a red herring, making you think certain scenes take place between the victim and one guy, when in fact it's another guy. Let's call them the doctor and the neighbor. (I'm trying not to use proper names in case someone is skimming but doesn't want to have their eye catch a spoiler.) Anyway, unless I really wasn't paying attention, she never gives you any clue that the victim is hanging out with the neighbor, not the doctor. She really just sets the reader up to understand (not just to *assume*--but to comprehend the narrative) that the person the victim is with is the doctor. There is also only one instance that I can think of where the personality of the neighbor is called into question at all. So when, in the end, it turns out the neighbor is the perpetrator, it's a surprise, but not the good kind. This is no, "Oh my god, Verbal is Kaiser Soze." Because in The Usual Suspects, it's all right there. If you are paying attention in a way that 90% of people never do, you have everything you need to realize that Verbal is weaving a web of lies. In The Sixth Sense, Haley Joel Osment looks Bruce Willis right in the eyes and tells him he sees dead people. When? ALL THE TIME. It's like he's waving a flag in front of the audience's face, but I know I didn't see it. Then, at the end, I was like, "HOLY SHIT, Y'ALL. It was RIGHT THERE."

Instead, in The Girl on the Train, Hawkins buried the reveal too well. As a reader there is no way you could see the clues ahead of time. Some of the other reviewers stated that they guessed early on who the perp was, because he was the only one who made sense--clearly their minds work differently than mine does. But even so, they chose him by process of elimination, not due to well placed plants by the author. Don't get me wrong, it's no good when you can figure out who did it way before the characters do. But in a well-told mystery, the clues would be there, they'd just be shown to you in a way that made you consider them insignificant. Like in Harry Potter--the cards with the chocolate frogs... tell you everything you need to know about Nicholas Flamel. But I paid no attention to that at all, so at the end I was like, "OMG, Rowling, you are a MASTER."

So I'm left feeling like Hawkins went, "AHA! It was the neighbor all along!" And I'm like, "Huh?" Not a satisfying feeling.

Saturday, July 25, 2015

Another New Cover Design

I've been working with an author on his cover design, and gave him a couple of options. This cover, to the left, is one he didn't select, so I've added it to the "Need a Book Cover?" page. I would submit it to SPBC, but they don't allow you to customize the title the way it would be here. They have a set list of fonts to choose from and I wouldn't be allowed to do the drips or anything. So it qualifies for the page on this blog, instead.

You may have noticed that the image of the wall has watermarks--I haven't purchased the stock photos yet, and wouldn't be doing that until someone actually buys the cover. That's another advantage of not putting it on SPBC. They require that you purchase the stock photos in advance.

It would, of course, be possible to alter the cover in different ways--changing the shape of the framing shadow, for instance.

What do you think of this design? Do you like it as it is, or would you change something?

Sunday, July 19, 2015

Free books & The Gamble and the Grave!

The Gamble and the Grave (Veronica Barry Book 4) is out on Amazon today! I didn't get a lot of sleep last night (the baby is trying to break me) but seeing that this morning (I'd forgotten--see parenthetical above) gave me a nice boost.

As a result, The River and the Roses (Veronica Barry Book 1), The Fire and the Veil (Veronica Barry Book 2), and The Plane and the Parade (Veronica Barry Book 3) will be free today and tomorrow.

If you have a different e-reader and can't take advantage of free promos on Amazon just email me and I'll be happy to send you your preferred format.