New Covers! I'm learning to use GIMP.

Well, after years of being only partly satisfied with most of my book covers, I finally got tired of talking about learning to use a design program like GIMP, and actually started watching youtube videos and teaching myself. In case you don't know, GIMP is a a free downloadable program a bit like Photoshop. The main cover I fret over is for The City Darkens, as I have yet to be really satisfied with any of the covers I've had. But I also had issues with my Veronica Barry covers. This mainly had to do with the titling, which has always been hard to read. Using Paint to make these covers was just short of adequate, in that I got the general look I wanted, but there just wasn't much I could do to really make the fonts stand out the way I wanted them to. So now that I am using GIMP, I've redone them all, and I'm still working on The City Darkens. Here's the original version of The River and the Roses:

And here's the new version:

Here's the old one for The Fire and the Veil:

And the new:

The Plane and the Parade:

And the new:

Veronica in Paris:

And the new:

 

And here's what I've got so far for The City Darkens:

There's still a lot to be done for it--I don't want the dress to actually look white, for one thing (I was going for light gray, and I'll probably add blue to it) and then I have ideas for other elements in a kind of montage.

The main thing with the Veronica covers, other than making the titles more legible, was to standardize them so they really look like a professionally done series. In honor of my new covers for these, all three novels in the series (Veronica in Paris is a novella and a prequel, and I don't have it enrolled in Kindle Select) will be available for free tomorrow. I'm not planning to offer all three like this again until I launch The Gamble and the Grave (book 4).

What do you think of the covers? Have you worked with GIMP? Have you got any cool tips to share?

STOP THE PRESSES!

STOP THE PRESSES! 

Is that just one of those phrases you've always wanted to scream at the top of your lungs? And isn't it just tragic that most of us will never get to do that?

Sigh.

Anyway, the title refers to my realization that I have to reorganize how I'm publishing the parts of The City Darkens. I will explain, and I will try to be concise. (I'm hearing Inigo Montoya in my head: "Let me 'splain. [pause] No, there is too much. Let me sum up.")

Twice now, people I do not know (one, a snarky employee at Smashwords, the other, a member of a book group I'm in on Goodreads) have pointed out that if people buy every installment of The City Darkens once all twelve are available, they will pay almost $12 for what is essentially one book.

I wouldn't pay $12 for a novel, even if it is 150K words. Which The City Darkens is, altogether.

So while I initially dismissed what the Smashwords guy said, because he was a condescending, unreasonable peon (harsh, perhaps--I'm a little bitter still), when this other very nice guy who was giving me feedback in general made the same comment, I realized I had a perception problem. Both these guys thought I was splitting my novel into 12 parts in order to make more money, I surmised.

Now, it's true that on Smashwords, that may have been the case (although to be perfectly honest it's been a long time since I read the SW rules on royalties). However, because of the way Amazon does royalties, I would make more on one book priced at $5.99 than twelve priced at $0.99. Amazon requires that you price between 2.99 and 9.99 to earn 70% royalties. Anything above or below earns 35%.

I intended (and still do) to offer a version with parts 2-12 and a version with all 12 parts for sale as well as the individual parts, for less than $12 (I was thinking in the neighborhood of $7), actually hoping that people would opt for one of those instead of buying all the parts, because ultimately, that's going to mean better royalties for me. The trouble is, I'm not ready to publish everything yet. It's all written, it's been revised a couple of times, but I just know I still have typos to catch, and my beta reader is still working through 5-12. And she's bound to have advice for how to improve things. So part of what happened here is that my impatience, which is epic, got the better of me.

Another thing that happened is that I originally projected 8 parts. This is what comes of being a pantser. I had no idea the story would take so many words, and parts, to come to fruition. So my original plan to publish the novel as a serial meant people would pay about $8 if they bought the parts separately, and $7 for the whole thing. I just failed to alter my plan when it came out to 12 parts instead.

I wrestled with what to do for a few hours today. I drove my husband up a wall fretting over the pros and cons of a few different possibilities. I won't go into them here, because I've decided to just group parts 1 and 2, then parts 3 and 4, and so on, into larger parts. So there will be 6 instead of 12.

This means that if you have downloaded part 1 on my free book page, you will need part 2 in order to have the complete part one in this new version.

I'll be posting the original part 2 to the free page soon. Download it!!!

In other words, the titles of parts 1 and 2 are currently:
Myadar's Snare
Myadar's Revelry

And they will now both be part of Myadar's Snare. Myadar's Revelry will no longer be separate.

This is good, because I was never comfortable with the title Myadar's Revelry, but I couldn't think of anything that worked better.

The current parts 3 and 4 are:
Myadar's Secret
Myadar's Betrayal

And I think I'll just call the two of them Myadar's Betrayal. Unless people tell me they like the title Myadar's Secret more.

And so on.

So this represents a chunk of work, since I've decided to edit and format the 3&4 combo before changing Myadar's Snare to include 2.

Does that make sense?

Do you like the title Myadar's Betrayal or Myadar's Secret better for part 2?

Would you have handled my dilemma differently?

Wherein I Muse about Writing

Despite going back to work last week, I have managed to continue working on the current WiP, which is satisfying. Lately writing has been functioning as my escape. It's not always like that--I'm far more likely to retreat into the Sims 3, but I've had to set that aside because the game has so outpaced my poor computer's abilities that without an upgrade the game is unplayable. Which means I have to resort to writing to get away from reality--and lately reality has been giving me reason to want to get away (see my recent entries in my family blog if you want details about that).

I've set aside the decopunk serial for the moment because I wrote myself into a corner with it and I decided I need distance before tackling it again. Instead I've written about 40K words of the third novel in the Veronica Barry series. I'm still wrestling with the title. Something to do with clouds. I have a whole elemental symbolism thing going--first water, then fire, now air. Next will have something to do with earth. Maybe the fifth will have to do with spirit. Or maybe I'll switch to feng shui elements and have metal and wood. Or some combination.

So far, the novel is moving along nicely, and I've managed to bring together several elements that I'm enthusiastic about, so that's cool. My only regret is that I didn't write The River and the Roses in first person. Ever since working on the decopunk serial, which was in first person, I've decided I really prefer it. However, River, Fire and Veronica in Paris are all third person, so it doesn't make sense for this book to suddenly switch to first. Oh well!

Veronica is, by now, like an old friend, and I can see returning to her over and over to tell more stories about her. I have a lot of other plot bunnies bouncing around in my head. I really want to write a romance, for one. Maybe an Edwardian romance, since I just love Jane Austen. Plus, I sometimes get tired of the violence that necessarily comes with writing a Veronica book (other times I'm in the mood to write horror and it really works--lately that hasn't been the case, though, because I really feel like there's too much violence all around us these days). So I figure a romance would be a good genre to choose if I want to avoid writing violence.

Romance is a challenge for me. I tend to be very cynical about romance in real life, and to find a lot of fictional romances unoriginal. Then again, I almost always enjoy romantic comedies, so I suppose that's the exception. I'm not sure I have the skill to write any kind of comedy, though. I can be funny, but it's sort of this out-of-nowhere thing that happens sometimes, not something I can sustain. So I'm really not sure I could actually manage to write a romance. But it's something I'd like to try one of these days.

I've always loved soap operas, and I've often thought it would be fun to write a series of novels, or maybe even another serialized novel, that emulates soap operas. I'm not sure how that would look, though. I mean, to really emulate soap operas, you have to be willing to go the whole hog. Baby switches, returns-from-the-dead, improbable-relative-revelations, etc. Would that work in written form? Maybe I'll give that a try one of these days. It would probably work best slightly tongue-in-cheek, but I wouldn't want to go too over the top with silliness, because then it wouldn't really be sustainable, would it?

What genres have you thought about trying out? Have you jumped in and tried one that was new to you? How did it go?

Titles: How do you pick them?

Man, when they say "full-time mother" they aren't kidding. Lately the bug has been limiting his naps to 30 minutes at a time, and only about three of those a day. And the rest of the time, he demands constant attention. Even as I type he's fussing. ::runs over to crib::

::returns after entertaining the baby with his toy monkey and giving him a paci::

And yet, I've managed to finish part 2 of the serial novel, which is as yet unnamed.  Which brings me to the question of titles.

For The River and the Roses, the title came after a lot of deliberation, and while I think it's the best of the options I was debating at the time, I don't know if I really like it. It's long. It doesn't really say, "This is a mystery novel about a woman coming to accept her psychic ability." But I do like the gothic quality of roses, and I like the cover, which mirrors the title. So... I'd give it a B, I guess.

Broken Ones was tough, too. I wanted to address the emotional damage the characters are coping with, as well as make a reference to the several broken windows in the story (which are tied symbolically, of course, to the emotional damage). I also wanted a title that was original, and there are a lot of titles with "broken" or "broken windows" or whatnot. When I chose Broken Ones, it was the only book with that title that came up in an Amazon search, although since then more have popped up. But I wonder if it sounds too angsty, and maybe that's why people haven't been downloading it. I changed the (VERY) brief description I've been sending out with my "thank you for following message," though, and there have been three more downloads in a week, so I do think calling it "paranormal" was part of the problem there. It's very hard to capture what Broken Ones is about in three or four words, though, so the new description says "a novel of escape & survival of abuse." Which has a weird feeling to me, syntax-wise, and may give the impression, again, that the novel is angsty. Which I guess it is, a bit, but I wouldn't describe the narrator, Louise, as angsty at all. I think what makes Broken Ones stand out is her voice, which is very matter of fact. Louise has a lot of humor and she tends to see things in fairly cynical terms--she's not the "woe is me" type. Anyway, so I'd give that title a B, too.

Veronica in Paris is the best of my title choices, and it was totally easy. There was no debate. It was my working title, and it stuck. It gives a pretty accurate impression of the story, I'd say--it's about a woman named Veronica who goes to live in Paris for a year. Paris is pretty strongly associated to romance in people's minds, so the fact that there's romance involved probably comes as a shock to no one who reads that title. So, A for that one.

Anyway, so now I'm working on this new book, and the working title is the name of the city, Helésey, where most of it is set. Which isn't going to tell anyone anything about the book, and may even mislead them into thinking it's French in some way. It actually draws on Norse mythology for some of the culture, although I've altered a lot of aspects. I also draw inspiration from America and Italy in the 1920s, as well as Germany in the 1930s. But there's really nothing French about it--the word "Helésey" is an altered version of the name of an island in Norse mythology, and the city is on an island, so it seemed to fit. The accented e comes from the original word, too.

My main character is named Miadar, which is not a common enough name, I think, to put it in the title--I suspect most people won't recognize it as a woman's name at all, which isn't surprising since I made it up by combining the words for "honey" and "hair" I found on a site claiming to have words in old Norse. I have no idea if the site is legit, and it doesn't really matter--I often choose names for characters based on what they mean, but it never comes up for the reader, so if it only means something to me, that's okay. The first part of the novel revolves around a coronation, and Miadar leaving her home because she's summoned to Helésey, the capitol, to witness it. So I've thought about The Coronation as a title, and also Summoned. The former may work, but I'm not sure about the latter, although I like the idea of having a verb in the title. Summoned conjures images of magic and demon summoning to me. Maybe I've read too much urban fantasy. The second part revolves around a night out Miadar participates in, where she visits an illegal gambling hall (think speakeasy). So I thought about Invited, The Invitation or The Gambling Hall for that one, although I'm really not in love with any of them. The next part will have to do with a seduction... so The Seduction, perhaps. Seduced, maybe. Parts four, five and six I haven't worked out completely yet, but they will have something to do with a vigilante, and probably at least one debauched party, and a betrayal. The last parts (not sure how many there will be total) will involve fighting for freedom, bringing down an evil leader, finding someone who is lost, and escaping. It's fairly murky in my mind at this point, and I don't like talking in detail about stories I haven't written, but you get the idea.

I'd like the titles to all work together:
The Coronation - The Invitation - The Seduction - The Betrayal - The ???
Or:
Summoned - Invited - Seduced - Betrayed - ???
Or:
The Capitol - The Gambling Hall - The [location] - etc.

Or I suppose it could be something like: Miadar Summoned, Miadar Invited, Miadar Seduced, Miadar Betrayed...

What do you think? What makes a good title? How do you choose your titles? Are you satisfied with the titles you've chosen in the past? Do you think about parts of speech or other specific characteristics of titles when you're trying to choose one?