Pen Names: Good Idea or Bad?

I've been toying with the idea of creating different pen names for different genres of stories I write (or intend to write). It seems like it might function as a way to keep things organized. I'm the type of person who has folders and subfolders for organizing email or documents on my computer. And yet, in real life, I'm pretty messy. Go figure.

There are my Veronica books, and I'd probably include Broken Ones in the same genre. Modern day, involves ghosts. Those have been around for a year, with "Sophia Martin" as the author name.

As a writer, you wear many hats. :)

Then there's The City Darkens, my current WiP, which is a serialized novel and in the genre of decopunk, sci fi/fantasy. So... I could put my same name on it, or something like S. D. Martin, or M. R. Tinn (= Martin, get it?) or something else. The idea isn't to disguise who I am at all. I'll be posting all about the book here and putting it in the margin with the other books, etc.

And I've been thinking about writing some Georgian or Victorian romances, because there just aren't enough Jane Austen novels, you know? I love them. A lot of people love them. So why not attempt to approach the brilliance of Austen--ha! good luck, Sophia--or at least capture some of what makes those stories so wonderful? Anyway, it seems incongruous for Sophia Martin to write ghost stories, sci fi, and Georgian romances. So some other pen name for that.

The problem is, would using pen names destroy any value my platform on Twitter, Facebook, etc. provides to Sophia Martin? Ultimately, I'm not really convinced those do all that much for my book sales anyway, but what do you think about it? If I'm not going to hide that all the pen names are one person, does that make a difference? Do you think using pen names would be useful or frivolous?

I'm really curious. I hope you'll comment.

Titles: How do you pick them?

Man, when they say "full-time mother" they aren't kidding. Lately the bug has been limiting his naps to 30 minutes at a time, and only about three of those a day. And the rest of the time, he demands constant attention. Even as I type he's fussing. ::runs over to crib::

::returns after entertaining the baby with his toy monkey and giving him a paci::

And yet, I've managed to finish part 2 of the serial novel, which is as yet unnamed.  Which brings me to the question of titles.

For The River and the Roses, the title came after a lot of deliberation, and while I think it's the best of the options I was debating at the time, I don't know if I really like it. It's long. It doesn't really say, "This is a mystery novel about a woman coming to accept her psychic ability." But I do like the gothic quality of roses, and I like the cover, which mirrors the title. So... I'd give it a B, I guess.

Broken Ones was tough, too. I wanted to address the emotional damage the characters are coping with, as well as make a reference to the several broken windows in the story (which are tied symbolically, of course, to the emotional damage). I also wanted a title that was original, and there are a lot of titles with "broken" or "broken windows" or whatnot. When I chose Broken Ones, it was the only book with that title that came up in an Amazon search, although since then more have popped up. But I wonder if it sounds too angsty, and maybe that's why people haven't been downloading it. I changed the (VERY) brief description I've been sending out with my "thank you for following message," though, and there have been three more downloads in a week, so I do think calling it "paranormal" was part of the problem there. It's very hard to capture what Broken Ones is about in three or four words, though, so the new description says "a novel of escape & survival of abuse." Which has a weird feeling to me, syntax-wise, and may give the impression, again, that the novel is angsty. Which I guess it is, a bit, but I wouldn't describe the narrator, Louise, as angsty at all. I think what makes Broken Ones stand out is her voice, which is very matter of fact. Louise has a lot of humor and she tends to see things in fairly cynical terms--she's not the "woe is me" type. Anyway, so I'd give that title a B, too.

Veronica in Paris is the best of my title choices, and it was totally easy. There was no debate. It was my working title, and it stuck. It gives a pretty accurate impression of the story, I'd say--it's about a woman named Veronica who goes to live in Paris for a year. Paris is pretty strongly associated to romance in people's minds, so the fact that there's romance involved probably comes as a shock to no one who reads that title. So, A for that one.

Anyway, so now I'm working on this new book, and the working title is the name of the city, Helésey, where most of it is set. Which isn't going to tell anyone anything about the book, and may even mislead them into thinking it's French in some way. It actually draws on Norse mythology for some of the culture, although I've altered a lot of aspects. I also draw inspiration from America and Italy in the 1920s, as well as Germany in the 1930s. But there's really nothing French about it--the word "Helésey" is an altered version of the name of an island in Norse mythology, and the city is on an island, so it seemed to fit. The accented e comes from the original word, too.

My main character is named Miadar, which is not a common enough name, I think, to put it in the title--I suspect most people won't recognize it as a woman's name at all, which isn't surprising since I made it up by combining the words for "honey" and "hair" I found on a site claiming to have words in old Norse. I have no idea if the site is legit, and it doesn't really matter--I often choose names for characters based on what they mean, but it never comes up for the reader, so if it only means something to me, that's okay. The first part of the novel revolves around a coronation, and Miadar leaving her home because she's summoned to Helésey, the capitol, to witness it. So I've thought about The Coronation as a title, and also Summoned. The former may work, but I'm not sure about the latter, although I like the idea of having a verb in the title. Summoned conjures images of magic and demon summoning to me. Maybe I've read too much urban fantasy. The second part revolves around a night out Miadar participates in, where she visits an illegal gambling hall (think speakeasy). So I thought about Invited, The Invitation or The Gambling Hall for that one, although I'm really not in love with any of them. The next part will have to do with a seduction... so The Seduction, perhaps. Seduced, maybe. Parts four, five and six I haven't worked out completely yet, but they will have something to do with a vigilante, and probably at least one debauched party, and a betrayal. The last parts (not sure how many there will be total) will involve fighting for freedom, bringing down an evil leader, finding someone who is lost, and escaping. It's fairly murky in my mind at this point, and I don't like talking in detail about stories I haven't written, but you get the idea.

I'd like the titles to all work together:
The Coronation - The Invitation - The Seduction - The Betrayal - The ???
Or:
Summoned - Invited - Seduced - Betrayed - ???
Or:
The Capitol - The Gambling Hall - The [location] - etc.

Or I suppose it could be something like: Miadar Summoned, Miadar Invited, Miadar Seduced, Miadar Betrayed...

What do you think? What makes a good title? How do you choose your titles? Are you satisfied with the titles you've chosen in the past? Do you think about parts of speech or other specific characteristics of titles when you're trying to choose one?

name your baby--er--character

I am obsessed with names. Especially character names. Show me your query, and I will probably become fixated on a character name in it and raise some issue that no one has ever shown any concern over before. When selecting my own character names, I go through a whole process. It's actually a lot of fun for me. Here's what I do:

• Decide on a word or words that best describes the character. Recently, for instance, I needed to find a new name for a character who I would describe as hard, bitter, inflexible. 
• Go to a couple of my favorite name sites, such as this one or this one, and do meaning searches on the words I chose, and some synonyms. Now often, especially for negative attributes, this doesn't go very far (although Mary means "bitter"--did you know that?).
• Go to BabelFish and run the words through various language translations. I settled on "Felsen" for my inflexible character's last name. It means "rock" in German. I'm really hoping it means "rock" as in "stone" and not as in this. But in the end, it doesn't matter--it just has to mean "rock" to me. I don't expect anyone else to look up the meanings of all of my names. And since sometimes I tweak the spellings of them to suit my needs, it would probably be an exercise in frustration for anyone to try.
• Sometimes, if the above steps don't come through, I'll go on to search the names of gods and goddesses, mythological creatures, historical figures, etc., to find a name that resonates.

A few things to consider when naming a character:

• Make sure none of your characters' names are similar. This is a rookie mistake. A lot of people do it unconsciously--they like the sound of certain vowels and consonants in a name, and without realizing it, they use them over and over. Honestly, I think Tolkien did it with Arwen and Eowyn, among others. I bet he had all sorts of justifications for it in his world-building. In the end, it's still a lot harder than it needs to be to discuss who you think Aragorn should end up with.
• Look at their ethnicity and ancestry. If you are going to name a character Billy Gambini, have a reason. Even if only you know the reason. 
• Consider whether the name sounds like anything unfortunate. Unless you chose it to be funny. And trust me, folks, I've seen some unfortunate character names out there--this is the sort of thing I notice.
• Avoid choosing unusual names unless they fit with your genre. If you have a character named Albus Percival Wulfric Brian Dumbledore, they'd better be the headmaster of Hogwarts.
• Likewise, make sure the name is easy to pronounce, even if your character is an alien from a culture where they click their beaks when they speak. Please, for the love of Groosalugg, avoid apostrophes.

That's all I've got for now, although I suspect I'll think of five more points and come back to edit this post again later.

What process do you use to name your characters?