Pen Names: Good Idea or Bad?

I've been toying with the idea of creating different pen names for different genres of stories I write (or intend to write). It seems like it might function as a way to keep things organized. I'm the type of person who has folders and subfolders for organizing email or documents on my computer. And yet, in real life, I'm pretty messy. Go figure.

There are my Veronica books, and I'd probably include Broken Ones in the same genre. Modern day, involves ghosts. Those have been around for a year, with "Sophia Martin" as the author name.

As a writer, you wear many hats. :)

Then there's The City Darkens, my current WiP, which is a serialized novel and in the genre of decopunk, sci fi/fantasy. So... I could put my same name on it, or something like S. D. Martin, or M. R. Tinn (= Martin, get it?) or something else. The idea isn't to disguise who I am at all. I'll be posting all about the book here and putting it in the margin with the other books, etc.

And I've been thinking about writing some Georgian or Victorian romances, because there just aren't enough Jane Austen novels, you know? I love them. A lot of people love them. So why not attempt to approach the brilliance of Austen--ha! good luck, Sophia--or at least capture some of what makes those stories so wonderful? Anyway, it seems incongruous for Sophia Martin to write ghost stories, sci fi, and Georgian romances. So some other pen name for that.

The problem is, would using pen names destroy any value my platform on Twitter, Facebook, etc. provides to Sophia Martin? Ultimately, I'm not really convinced those do all that much for my book sales anyway, but what do you think about it? If I'm not going to hide that all the pen names are one person, does that make a difference? Do you think using pen names would be useful or frivolous?

I'm really curious. I hope you'll comment.

Titles: How do you pick them?

Man, when they say "full-time mother" they aren't kidding. Lately the bug has been limiting his naps to 30 minutes at a time, and only about three of those a day. And the rest of the time, he demands constant attention. Even as I type he's fussing. ::runs over to crib::

::returns after entertaining the baby with his toy monkey and giving him a paci::

And yet, I've managed to finish part 2 of the serial novel, which is as yet unnamed.  Which brings me to the question of titles.

For The River and the Roses, the title came after a lot of deliberation, and while I think it's the best of the options I was debating at the time, I don't know if I really like it. It's long. It doesn't really say, "This is a mystery novel about a woman coming to accept her psychic ability." But I do like the gothic quality of roses, and I like the cover, which mirrors the title. So... I'd give it a B, I guess.

Broken Ones was tough, too. I wanted to address the emotional damage the characters are coping with, as well as make a reference to the several broken windows in the story (which are tied symbolically, of course, to the emotional damage). I also wanted a title that was original, and there are a lot of titles with "broken" or "broken windows" or whatnot. When I chose Broken Ones, it was the only book with that title that came up in an Amazon search, although since then more have popped up. But I wonder if it sounds too angsty, and maybe that's why people haven't been downloading it. I changed the (VERY) brief description I've been sending out with my "thank you for following message," though, and there have been three more downloads in a week, so I do think calling it "paranormal" was part of the problem there. It's very hard to capture what Broken Ones is about in three or four words, though, so the new description says "a novel of escape & survival of abuse." Which has a weird feeling to me, syntax-wise, and may give the impression, again, that the novel is angsty. Which I guess it is, a bit, but I wouldn't describe the narrator, Louise, as angsty at all. I think what makes Broken Ones stand out is her voice, which is very matter of fact. Louise has a lot of humor and she tends to see things in fairly cynical terms--she's not the "woe is me" type. Anyway, so I'd give that title a B, too.

Veronica in Paris is the best of my title choices, and it was totally easy. There was no debate. It was my working title, and it stuck. It gives a pretty accurate impression of the story, I'd say--it's about a woman named Veronica who goes to live in Paris for a year. Paris is pretty strongly associated to romance in people's minds, so the fact that there's romance involved probably comes as a shock to no one who reads that title. So, A for that one.

Anyway, so now I'm working on this new book, and the working title is the name of the city, Helésey, where most of it is set. Which isn't going to tell anyone anything about the book, and may even mislead them into thinking it's French in some way. It actually draws on Norse mythology for some of the culture, although I've altered a lot of aspects. I also draw inspiration from America and Italy in the 1920s, as well as Germany in the 1930s. But there's really nothing French about it--the word "Helésey" is an altered version of the name of an island in Norse mythology, and the city is on an island, so it seemed to fit. The accented e comes from the original word, too.

My main character is named Miadar, which is not a common enough name, I think, to put it in the title--I suspect most people won't recognize it as a woman's name at all, which isn't surprising since I made it up by combining the words for "honey" and "hair" I found on a site claiming to have words in old Norse. I have no idea if the site is legit, and it doesn't really matter--I often choose names for characters based on what they mean, but it never comes up for the reader, so if it only means something to me, that's okay. The first part of the novel revolves around a coronation, and Miadar leaving her home because she's summoned to Helésey, the capitol, to witness it. So I've thought about The Coronation as a title, and also Summoned. The former may work, but I'm not sure about the latter, although I like the idea of having a verb in the title. Summoned conjures images of magic and demon summoning to me. Maybe I've read too much urban fantasy. The second part revolves around a night out Miadar participates in, where she visits an illegal gambling hall (think speakeasy). So I thought about Invited, The Invitation or The Gambling Hall for that one, although I'm really not in love with any of them. The next part will have to do with a seduction... so The Seduction, perhaps. Seduced, maybe. Parts four, five and six I haven't worked out completely yet, but they will have something to do with a vigilante, and probably at least one debauched party, and a betrayal. The last parts (not sure how many there will be total) will involve fighting for freedom, bringing down an evil leader, finding someone who is lost, and escaping. It's fairly murky in my mind at this point, and I don't like talking in detail about stories I haven't written, but you get the idea.

I'd like the titles to all work together:
The Coronation - The Invitation - The Seduction - The Betrayal - The ???
Or:
Summoned - Invited - Seduced - Betrayed - ???
Or:
The Capitol - The Gambling Hall - The [location] - etc.

Or I suppose it could be something like: Miadar Summoned, Miadar Invited, Miadar Seduced, Miadar Betrayed...

What do you think? What makes a good title? How do you choose your titles? Are you satisfied with the titles you've chosen in the past? Do you think about parts of speech or other specific characteristics of titles when you're trying to choose one?

Marketing: Doing Nothing Works Better?

In the first week of March I made a list of things to do for my writing/publishing goals. Among those things was to start marketing my books again, at least on Twitter. Over the last year I've gone through different phases with the marketing. I got a couple of book review bloggers to look at my books, but mainly I've sent out tweets promoting them. In the beginning this did seem to make a difference. Then I stopped doing anything to promote the books and even pretty much stopped blogging, because I was pregnant/a new mommy and my head just wasn't in it. And now since early March I started up again. Here's what I've observed:

Marketing seems to have no effect on my book sales, at least the tweet marketing. In past months when I wasn't doing any I sold an average of five books a month. This month, with renewed attempts to market, I've sold one.

I've been giving away books as thank yous to long time followers (let me know if you didn't get a DM on Twitter with a coupon code--I think TweetAdder has been patchy with this) and also new followers. The long-time followers got a coupon for Veronica in Paris, and the new followers got a coupon for Broken Ones. So far, about a dozen people have downloaded Veronica in Paris, and one person has downloaded Broken Ones. Generally, I sell about three copies of Veronica for every one copy of either Broken Ones or The River and the Roses. I thought it was because Veronica is priced at $0.99 and the other two are $2.99. But this would indicate that some other factor is at work, since I offered both for free.

Veronica is a novella, while Broken Ones is a full length, if short, novel. I've heard that novellas are popular--I didn't really believe it, though, because I like long books for the most part.

Veronica is a romance and is set in Paris, so it has a travel aspect. Broken Ones is a ghost story. Could people be tiring of the glut of paranormal novels out there? I think this is a possibility. Look at the popularity of The Hunger Games and the Steig Larsson books. No paranormal there. And everyone on Twitter seems to have a paranormal novel to sell. Myself included, of course. It's frustrating because I like paranormal stories a lot, I always have. But I think maybe some of these authors are just trying to sell what they think is popular. Did they all watch every single episode of Charmed via DVR, like me? I don't think so! Anyway, whether all of these authors are sincerely into vampires (or witches as the case may be) or not is irrelevant. I think paranormal may be in oversupply.

Then there's also the possibility that more people downloaded Veronica because they've known me for a while now and they wanted to give my book a try. It was free, so why not? Whereas with Broken Ones, it was offered to folks who've only just "met" me so it's much more of an unknown entity.

What do you think? Have you offered a book for free? What results did you get?

Do you think there's an oversupply of paranormal fiction? What genre are you into these days?

the aftermath of my week long writing binge...?

I have these ambitions.

I decided that spring break would be filled to the brim with writing, editing, and publishing... and that happened. I published three books (although I'm going to have to upload a new copy of the third, because I rushed it and then realized I needed to still fix a few things). I finished the first draft of the WiP. I came up with a new story idea. I pretty much drove myself nonstop for ten days (we had a snow day added to the break). It was wildly productive.

And now I'm tired.

I don't regret it. At all. But there's a part of me that's really dissatified with the fact that I can't keep that pace up ALL. THE. TIME.

I decided to make April my personal NaNoWriMo. I planned to come home every day after work and write, like I did in November. That hasn't really happened. Yesterday I came home and took a nap on the couch. Today the hubby took me out to eat, and I'm dreaming of just going to bed right now--and it's 7:30pm.

And I know I'm genuinely tired, because even though I have that whip-cracking inner voice going off about it, it's a very faint voice, and the rest of me can't muster up any energy to care.

I've done the rewrites on the third book. I could take it down from the sites and put the new version up right now. It probably wouldn't take me more than fifteen minutes to do. And then, I could find all the reviewer-blogs I've been collecting and start submitting my books to them like I've been intending. This would be a good marketing step. But it's probably not going to happen tonight.

Tomorrow, with any luck, I will make it home earlier from work, and I'll have time for a nap if I need it, and then I'll find the energy to do the new uploads and write some more for ApriNoWriMo.

I think, actually, with ApriNoWriMo, two things are slowing me down. 1) Definitely my fatigue. 2) The story idea. It's not a bad story idea, but it's a new one, totally outside my Veronica series, and as such, I'm not bought in to it yet. I takes me a while to get bought in, which is why I like the NaNo format--I'm in such a rush to get words down by the deadline that by the time the month is over, I've bought in at some point without even noticing. So what I may need to do is come up with Veronica Barry: book 3. One of the lovely things about writing VB: book 2 was that I slipped right in--no initial struggle to form an attachment. That was way cool. So maybe I don't need a break from it, as I had decided when I finished the first draft of book 2 during spring break. Maybe I need a little breather and then to dive right back into Veronica's story...

Something to ponder.

My question to you is, how do you deal with fatigue? Do you ever push yourself very hard and then pay the consequences? How do you handle that, if you do, or avoid that, if you don't? Do you write in series? If so, do you take breaks between each book to write something else, or remain immersed in your series' world?