Marketing: Doing Nothing Works Better?

In the first week of March I made a list of things to do for my writing/publishing goals. Among those things was to start marketing my books again, at least on Twitter. Over the last year I've gone through different phases with the marketing. I got a couple of book review bloggers to look at my books, but mainly I've sent out tweets promoting them. In the beginning this did seem to make a difference. Then I stopped doing anything to promote the books and even pretty much stopped blogging, because I was pregnant/a new mommy and my head just wasn't in it. And now since early March I started up again. Here's what I've observed:

Marketing seems to have no effect on my book sales, at least the tweet marketing. In past months when I wasn't doing any I sold an average of five books a month. This month, with renewed attempts to market, I've sold one.

I've been giving away books as thank yous to long time followers (let me know if you didn't get a DM on Twitter with a coupon code--I think TweetAdder has been patchy with this) and also new followers. The long-time followers got a coupon for Veronica in Paris, and the new followers got a coupon for Broken Ones. So far, about a dozen people have downloaded Veronica in Paris, and one person has downloaded Broken Ones. Generally, I sell about three copies of Veronica for every one copy of either Broken Ones or The River and the Roses. I thought it was because Veronica is priced at $0.99 and the other two are $2.99. But this would indicate that some other factor is at work, since I offered both for free.

Veronica is a novella, while Broken Ones is a full length, if short, novel. I've heard that novellas are popular--I didn't really believe it, though, because I like long books for the most part.

Veronica is a romance and is set in Paris, so it has a travel aspect. Broken Ones is a ghost story. Could people be tiring of the glut of paranormal novels out there? I think this is a possibility. Look at the popularity of The Hunger Games and the Steig Larsson books. No paranormal there. And everyone on Twitter seems to have a paranormal novel to sell. Myself included, of course. It's frustrating because I like paranormal stories a lot, I always have. But I think maybe some of these authors are just trying to sell what they think is popular. Did they all watch every single episode of Charmed via DVR, like me? I don't think so! Anyway, whether all of these authors are sincerely into vampires (or witches as the case may be) or not is irrelevant. I think paranormal may be in oversupply.

Then there's also the possibility that more people downloaded Veronica because they've known me for a while now and they wanted to give my book a try. It was free, so why not? Whereas with Broken Ones, it was offered to folks who've only just "met" me so it's much more of an unknown entity.

What do you think? Have you offered a book for free? What results did you get?

Do you think there's an oversupply of paranormal fiction? What genre are you into these days?

the aftermath of my week long writing binge...?

I have these ambitions.

I decided that spring break would be filled to the brim with writing, editing, and publishing... and that happened. I published three books (although I'm going to have to upload a new copy of the third, because I rushed it and then realized I needed to still fix a few things). I finished the first draft of the WiP. I came up with a new story idea. I pretty much drove myself nonstop for ten days (we had a snow day added to the break). It was wildly productive.

And now I'm tired.

I don't regret it. At all. But there's a part of me that's really dissatified with the fact that I can't keep that pace up ALL. THE. TIME.

I decided to make April my personal NaNoWriMo. I planned to come home every day after work and write, like I did in November. That hasn't really happened. Yesterday I came home and took a nap on the couch. Today the hubby took me out to eat, and I'm dreaming of just going to bed right now--and it's 7:30pm.

And I know I'm genuinely tired, because even though I have that whip-cracking inner voice going off about it, it's a very faint voice, and the rest of me can't muster up any energy to care.

I've done the rewrites on the third book. I could take it down from the sites and put the new version up right now. It probably wouldn't take me more than fifteen minutes to do. And then, I could find all the reviewer-blogs I've been collecting and start submitting my books to them like I've been intending. This would be a good marketing step. But it's probably not going to happen tonight.

Tomorrow, with any luck, I will make it home earlier from work, and I'll have time for a nap if I need it, and then I'll find the energy to do the new uploads and write some more for ApriNoWriMo.

I think, actually, with ApriNoWriMo, two things are slowing me down. 1) Definitely my fatigue. 2) The story idea. It's not a bad story idea, but it's a new one, totally outside my Veronica series, and as such, I'm not bought in to it yet. I takes me a while to get bought in, which is why I like the NaNo format--I'm in such a rush to get words down by the deadline that by the time the month is over, I've bought in at some point without even noticing. So what I may need to do is come up with Veronica Barry: book 3. One of the lovely things about writing VB: book 2 was that I slipped right in--no initial struggle to form an attachment. That was way cool. So maybe I don't need a break from it, as I had decided when I finished the first draft of book 2 during spring break. Maybe I need a little breather and then to dive right back into Veronica's story...

Something to ponder.

My question to you is, how do you deal with fatigue? Do you ever push yourself very hard and then pay the consequences? How do you handle that, if you do, or avoid that, if you don't? Do you write in series? If so, do you take breaks between each book to write something else, or remain immersed in your series' world?